My word of the day is acoustic.
Acoustic, from the Greek akoustikos, meaning “of hearing.” I love how this word feels when you pronounce it. It starts low and guttural, moves swiftly into a resonant arched soft-palate sort of sound and ends with a tinny, consonant-heavy “tic.” It covers a whole range of sounds, right in one little word about sounds.
I also love acoustic music. It’s not because I’m a luddite (though I kind of am), but because I love listening closely to singers’ voices. The best part of hearing someone sing, particularly in a song he has written, is hearing what syllables get drawn out a little longer, where his voice cracks, and how he phrases his songs. For example, there’s a part in a version I have of “Just Like A Woman” where the way Dylan sings the word “aches” makes me misty every time. I almost feel an actual dull pain in my chest.
I had the distinct pleasure of hearing a friend and classmate of mine sing with two other singer/songwriter types tonight at Top Ten Wines here in Columbia, Mo. Each of them had very different styles and voices and songs, but it was a fairly cohesive concert. It was vaguely reminiscent of the Three-Headed Broadway Star, though, of course, each musician sang one song at a time, not only one word.
The guy I know had intellectual, clever songs and I really like his voice. In fact, I liked his songs the best…and not just because I know him. I have to say, though, his voice is not what I would have expected from hearing his speaking voice. If I had to pick an instrument it is most like, I’d pick something reedy, like an oboe. It’s lyrical and sharp and mellow all at the same time. A very cool and distinctive voice.
The second guy of the trio was more like an alto saxophone. Or a fiddle. I realize those are very different instruments, but it’s not like you’re coming here for real musical analysis, now is it. Anyway. He hit some nice soulful notes but there was also a little folk/country in there and his notes flowed into each other a lot, like they were bowed, not fingered.
The last guy…I have no clue what instrument he would be. He was kind of a talk-singer. Maybe he’d be a xylophone? I liked the stories in his songs and his stage presence, which was part-emcee, part-comedian. I got kind of a Peter Himmelman off-the-wall sort of vibe off of him.
There was also quite a bit of harmonica — actual harmonica, not metaphorical– goin’ on, which I always appreciate.